• These are the Tweets, Photos++, Blogs, Journals, Videos and Music of Daniel Miller. Delicious 16x16 Google Facebook 16 Linkedin 16 Youtube 16 Lastfm 16 Email 16x16
  • <a href="http://wakeupjon.com/track/wake-up-jon">Wake Up Jon by Friends of Jon Broom</a>
    <a href="http://wakeupjon.com/track/wake-up-jon">Wake Up Jon by Friends of Jon Broom</a>

    Read more about Wake Up Jon here.

    <a href="http://danielmiller.bandcamp.com/album/lobjet-petit-a">This Town by Daniel Miller</a>
    <a href="http://danielmiller.bandcamp.com/album/lobjet-petit-a">This Town by Daniel Miller</a>
  • Show/hide: Tweets, Photos, Blogs, Videos
  • 2 hours ago
    on twitter »
    Uh oh. CUTE ATTACK! http://flic.kr/p/7BFWPq
  • 3 hours ago
    on flickr »
  • 3 hours ago
    on flickr »
  • 3 hours ago
    on flickr »
  • 4 hours ago
    on twitter »
    http://www.youtube.com/watch?v=tAGdJqaa3ag found while working on a special Lost thing we’ll be rolling out soon
  • 1 day ago
    on flickr »
  • 1 day ago
    on flickr »
  • 1 day ago
    on flickr »
  • 1 day ago
    on flickr »
  • 2 days ago
    on flickr »
  • 1 week ago
    on flickr »
  • 1 week ago
    on flickr »
  • 1 week ago
    on the blog »
    Corner-of-the-Street
    Down by the corner of the street,
    Where the three roads meet,
    And the feet
    Of the people as they pass go “Tweet-tweet-tweet”,
    Who comes tripping round the corner of the street?
    One pair of shoes which are Nurse’s;
    One pair of slippers which are Percy’s…
    Tweet! Tweet! Tweet!
    Milne, from When We Were Very Young (1924), from tonight’s story time.
  • 2 weeks ago
    on flickr »
  • 2 weeks ago
    on flickr »
  • 2 weeks ago
    on flickr »
  • 2 weeks ago
    on flickr »
  • 2 weeks ago
    on flickr »
  • 2 weeks ago
    on the blog »
    "Chief Taste Officer" — I like the sound of that — maybe "Benevolent Dictator of Design"
    Hire a GOD of UX, not a pixel pusher.

    Maybe call them the Chief Taste Officer. You’re looking for someone who is equal parts Steve Jobs, Don Draper, and Seth Godin. Assuming such a person exists (and that you can hire them) they will be responsible for Quality, top to bottom, and they’ll have the power (hiring, budget, creative authority, whatever it takes) to make it happen.

    This is a pretty tall order. It may even be impossible. Apple was able to do it, but only because Steve Jobs is a genius who wanted his baby back, and Apple was circling the drain so Jobs was given the time and authority he needed to remake the company.
    Can you reinvent a software company by hiring a pixel pusher?

    Also:
    We’re not all solo auteurs. Collaboration, compromise, and constraints are inescapable when building complicated products. The secret is to make sure that even as work is distributed, ownership of the work’s quality isn’t.

    If you’re a software company, your people should have titles like these:

    God of Bringing in the Money
    God of Servers
    God of Programming
    God of the User Experience

    Show me a company without a designated (and opinionated) “God of UX” and I’ll show you a company that makes crap.
    Pop Quiz: Who is your God of UX?
  • 3 weeks ago
    in the journal »
    Washed Out / More Great Art From People Younger Than You Who Don’t Care If You Think It’s Great Art
    27570030

    Washed Out, aka Ernest Greene, see, he has his own blog and YouTube channel and as far as I can tell he’s just a 26ish-year-old guy living in rural Georgia who just got married and is making this incredible music in his bedroom late at night.

    I put art on the Fail list but really I’ve never had such a sense that we’ve just entered an amazing time for art, particularly this immediatist-yet-somehow-on-the-net thing that seems to be best and most perpetuated by print designers and those well under 30. I’m really excited about it and have this folder in my Google Reader that just blows my mind every time I look at it which these days isn’t very often, but…the funny part is that I have to resist my old-man desires to try and jump on the aesthetic train and figure out the best ways to publish all this shit to get eyeballs and blah blah blah…although I do want to put out an electronic record of some sort this year, and I’ll for sure be listening to a lot of Glo-fi at the time…in the meantime I have a gig in a week and a half and I have no idea what I’m going to do for it. You know, I don’t even have guitar calluses on my fingertips anymore. It’s shameful.

    Anyhoo, besides those blogs Vimeo is also usually a ridiculous place to go find art that will blow your mind (if you have enough bandwidth…with our account it is usually a waiting game). On Vimeo I found what is possibly the quintessential of said art, and they just happen to be videos set to Washed Out and Dallas’ own (getting rather big) Neon Indian. I can’t embed the Vimeo vids in LJ (another reason I’m hoping to transition blogging platforms soon), but it’s just one kid’s (I use that pronoun to emphasize my oldness) account, here.

    (When I was 26 I was about to move to DC. Soon I’d be divorced. 26 feels like three lifetimes ago. The 00’s was a hell of a decade for me. I predict this next decade goes twice as fast and is half as exciting, but in a good way.)
  • 4 weeks ago
    in the journal »
    Totally Obsessed With Glo-fi Right Now
    This was IRT Washed Out and Neon Indian, but I'm sure there are more

    Here’s all the Washed Out I found on the internet plus one I bought from Amazon.

    (Per request, I’ll post more mp3’s in the near future.)
    (As always the files themselves will not live on my server for long, so grab them now.)
    (I have a lot of plans for the site(s) and having to post my images on Flickr is not part of those plans.)
  • 1 month ago
    in the journal »
    We procrastinate because we are afraid
    We procrastinate because we are afraid. We’re afraid it’s too much work and that it will drain us. We’re afraid we’ll screw it up and get in trouble. We’re afraid we don’t know how to do it. We’re afraid because, well, we’ve been putting it off forever and every time we put it off it seems a little more fearsome in our minds. That’s why not putting things off is so liberating. We’re forced to confront our fears, not let them grow bigger by repeatedly running away. And when we confront them, we find they’re not so scary after all.
    http://www.aaronsw.com/weblog/doitnow
  • 1 month ago
    in the journal »
    …a small creature trying to make sense of a complex world not constructed for it
    The human mind delights in finding pattern—so much so that we often mistake coincidence or forced analogy for profound meaning. No other habit of thought lies so deeply within the soul of a small creature trying to make sense of a complex world not constructed for it
    —Stephen Jay Gould via
  • 1 month ago
    in the journal »
    Concerning the Curious Confections Coming out of Calopezzati
    Dear Editor:

    I knew my short airing of grievances might stir some feathers, but I had no idea what strange and oddly delicious consequence it would have. It seems that an unusual alliance formed shortly after your publishing the piece on December 30th. Two parties heretofore only acquaintances via strange gender-biased clothing-optional soirees and otherwise only linked in their previous friendship with yours truly and thenceforth hatred of the same seem to have linked together to express their distaste for my rhetoric by engaging in industrial baking. I was greeted this morning at my door by a package of unknown origins. Having just been released from some kind of low-security prison I expected it to be some of my belongings I might have left behind, but instead discovered a box of gold-wrapped cylindrical chocolate wafers. I instinctively unwrapped one and took a bite, before I realized the inside of the wrapper was imprinted with slanderous quotes about me! I was, of course, instantly concerned that the pastry might be poisoned, but having already taken a bite I was forced to simply wait it out and after the course of many minutes I decided that was not the case. They were in fact quite tasty. But as I read the vile words attacking my character that had sat so closely to the sweetness of the sugary goodness, I was left with a deep sense of contention within.

    Dealing With
    Dallas, Texas, Jan. 5, 2010

    The writer had a weird-ass dream last night.
  • 1 month ago
    on the blog »
    No legendary design on the web?
    Why there are no legendary web designers got me all in bunch earlier today, had to share here. In reply to:
    The web is a low resolution, low fidelity, crappy medium.

    A quick gut check: Would you ever hang a web design on your wall?
    …etc…you can go read the rest of the piece if you want, I replied:
    Couldn’t disagree more. There are plenty of web designs that I would project onto my wall (or maybe display in a digital frame)—printing them would be impractical because of the low resolution you have at the center of your argument. Also, those sites I would choose to use as art would not be the content-centric ones you mention (although there are some that make the aesthetics of text true art). If all you think of when you think of the web is TechCrunch and CNN then no, certainly not. But there are some amazing artists doing work designed and delivered on the web. Similarly, there are some very famous artists who used low-fidelity technologies centrally in their art.

    Your other arguments fall apart equally as fast—looking at a painting is a solitary experience abstracted from our sense of touch and smell, and yet the visual arts is one of our primary artistic forms.

    Also, it’s 2010! If you are bashing the web based on bandwidth and screen resolution, where were you in 2000, or 1995?
  • 4 months ago
    on vimeo »
    Gentle

    Cast: Daniel Miller, carissa byers

  • 4 months ago
    on vimeo »
    September 29 2009

    Yeah…so…you know. I’ve never been this happy. And a part of me, well, most of me, is just ecstatic, reveling in each moment, letting the waves wash over, stuck in the headlights of my daughter’s eyes or in the warmth of a belly full of tasty homemade dinner. And part of me is anxious as hell, waiting for something to happen, for me to be found out, for the end of the reel to go flapping against the projector. Yet another part—and perhaps the part I unintentionally begin exploring through this piece—is like a leftover me, an older me, a much less happier me, this third party who bid me farewell some time ago and now just watches, both amazed and pleased with what has become of me.

    These are random images of those most pure in my life.

    Music is “I Never Question God” by Ikon. Used without permission, but I don’t think they’d mind. Additional spoken words and music downloaded randomly from the internet.

    Cast: Daniel Miller

  • 10 months ago
    on vimeo »
    Our Weekend, April 4-5, 2009

    First on Saturday we trained it downtown for our customary bacon and pancakes at Cindi’s.

    Then on Sunday we had french toast at home, then drove down to Deep Ellum with friends for the arts festival there.

    Thanks to everyone who hung out and had so much fun with us!

    Cast: Daniel Miller

  • 11 months ago
    on vimeo »
    I (heart) Carissa

    Cast: Daniel Miller

  • 11 months ago
    on vimeo »
    Diptych

    Cast: Daniel Miller